Torii table

Rectangular table with rounded corners and original 4-legged wooden base that recalls the 50s style. Dining table for the living room with marble, wood or matt lacquered top.
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Modern 1950s style Torii table , inspired by the ancient entrance gates of Japanese temples, where the central element rises softly until it joins the top creating an inverted "T" shape. Presented in elegant color combinations, the top can be in Bianco Carrara or Oriente Gray marble, light oak, Canaletto walnut and matt lacquer. The legs are available in light oak and canaletto walnut.

Wooden dining table measures:

  • L. 200 P. 100 H. 75 cm (8 seats)
  • L. 250 P. 100 H. 75 cm (10 seats)

Seats expressed are indicative and represent the maximum number available, which depend on the width of the chairs.

Dining table design by Matteo Zorzenoni, to be placed in the living room of your home to create a refined and elegant dining room with a Nordic style.

Technical Features


made of solid stained wood


made with lacquered or veneered MDF panel 30 mm thick

Marble top:

made of 20 mm thick marble slab fixed to a 25 mm thick lacquered MDF undercounter

  • Bianco Carrara: White marble, of saccaroid paste, with gray, dark gray veins. It may present small cavities, or inclusions of more or less extensive crystallizations. This material has a good degree of cohesion and does not require resining. Whitish or yellowish spots may be visible, mostly of siliceous derivation. Natural cracks are frequently found which have a different line from that of the sedimentation that originated the rock and appear to be visible as small lines or tears. In this marble, veins or spots, can give an orientation, enhancing an aesthetic attribute.
  • East Gray: Colored marble, with a tobacco color scheme, characterized by a thread-like texture and devoid of a dominant directionality. They are visible and with discontinuous marking, white or rust-white saline. This material carries widespread inclusions of magrosity that are corrected with the resin coating and the grouting of the visible top. The resin is used to give greater cohesion to the material, the grouting serves to correct the parts that are just "soft" and more or less extended, of the surface. Resin and grouting therefore means inevitable procedures in the processing of this marble. For this reason, the smoothing of the surface can reverberate in backlight, contrast of halos.

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